Psychedelic Furs at the Trocadero, Philadelphia
By Chris Cagle
June 14, 2013
Singer Richard Butler was the last of the Psychedelic Furs to come on
stage at the start of their show, and he appeared with a fey enthusiasm
that would last the entire show, as well as with
a courtesy bow
that seemed copied from some movie version of Shakespeare’s Puck
character – impish yet playful. The gesture,repeated multiple times in
their concert, seemed a fitting start to a victory lap, of a band
playing favorites to an enthusiastic crowd.
I have been to a number of reunion shows lately, but this one was played
up specifically as a nostalgia event, as the opening event in an
80s-themed “Awesome Fest” taking place across Philadelphia this summer.
People came to relive a bit of their youth but also because they were
big Furs fans. If the crowd clearly came for hits like “Heaven,” “Love
My Way” and especially “Pretty in Pink” (naturally held until the
encore), they seemed almost as into some of the deeper cuts the Furs
played, like Talk Talk Talk’s “Into You Like a Train” and
Forever Now’s “Danger,” singing and dancing along.
The range showed in the band’s set, at first heavy on singles, especially
from the more polished Mirror Moves and Midnight to
Midnight (“The Ghost in You” “Heatbreak Beat” “Here Come Cowboys”)
but gradually including older material, including songs from their debut
LP like the postpunk “Soap Commercial” and a rocking “Pulse.” Their live
version of “All of This and Nothing” was a terrific rendition of a
personal favorite of mine.
The line-up consisted of half the original members: Richard Butler and his
brother Tim on bass as well as Mars Williams, whose trademark alto and
tenor sax was one of the things that made the band’s sound so
distinctive among a crop of postpunk and new wave acts. The other
signature to their sound, of course, is Butler’s raspy, blue note-flat
vocal style. All singers face changing vocal capability with age, but
Butler’s voice has held up well and is as fitting for both the rockers
and more romantic half-ballads as ever. Newer members Rich Good
(guitar), Amanda Kramer (keyboards), and Paul Garisto (drums) rounded
out the sound.
The band had a strong and varied set lasting around and an hour and a
quarter, then came out for an encore, “Pretty
and Pink” and “Sleep Comes Down.” It was a great show by a band
still happy to recap their career for fans.